CHUN TZU CHANG (tw)
La obra de Chang se centra en el espacio público. Observa la relación entre el individuo y el grupo en el contexto de la evolución de las estructuras económicas. En 2018, exploró el plan de diseño regional en el desarrollo urbano de Berlín en dos proyectos cinematográficos. «La parábola», es una película fotográfica experimental. En la película «La especulación», ella misma muestra formas de especulación del suelo en una performance. Se inspiró en el pensamiento de Marc para su trabajo. En la performance, visualiza a través de la advertencia simbólica cómo, en un estado de bienestar existente, las prácticas capitalistas crean, entre otras cosas, una falta de espacio y una escalada de los alquileres. Desde 2019, Chang explora el tema del «hogar». Analiza la identificación del individuo con la patria y los mecanismos mediante los cuales las agencias estatales manipulan esta percepción y el contenido de las identidades para promover la lealtad de los individuos. La exploración del tema se basa en sus recuerdos personales, que contrasta con los relatos e ideales oficiales. Utiliza objetos cotidianos, fotografías y su propio cuerpo para reflejar la estructura de poder en el espacio público. Chang tiene experiencia profesional práctica en diseño arquitectónico, urbanismo, creación artística, teoría del arte, práctica expositiva y conexión interdisciplinar entre arquitectura y arte.
Chang’s work focuses on public space. She observes the relationship between the individual and the group in the context of evolved economic structures. In 2018, she explored the regional design plan in urban development of Berlin in two film projects. «The Parable», is an experimental photographic film. In the film «The Speculation», she, herself, displays forms of land speculation in a performance. She was inspired by the thinking of Marc in her work. In the performance, she visualizes through symbolical warning how, in an existing welfare state, capitalist practices create, inter alia, a lack of space and escalating rents. Since 2019, Chang has been exploring the theme of ‘home’. She looks at the individual’s identification with the homeland and the mechanisms by which state agencies manipulate this perception and content of identities to promote the loyalty of individuals. The exploration of the theme is based on her personal memories, which she contrasts with official narratives and ideals. She uses everyday objects, photography, and her own body to reflect the structure of power in public space. Chang has practical professional experience in architectural design, urban planning, artistic creation, art theory, exhibition practice, and the interdisciplinary connection between architecture and art.
Chang’s work focuses on public space. She observes the relationship between the individual and the group in the context of evolved economic structures. In 2018, she explored the regional design plan in urban development of Berlin in two film projects. «The Parable», is an experimental photographic film. In the film «The Speculation», she, herself, displays forms of land speculation in a performance. She was inspired by the thinking of Marc in her work. In the performance, she visualizes through symbolical warning how, in an existing welfare state, capitalist practices create, inter alia, a lack of space and escalating rents. Since 2019, Chang has been exploring the theme of ‘home’. She looks at the individual’s identification with the homeland and the mechanisms by which state agencies manipulate this perception and content of identities to promote the loyalty of individuals. The exploration of the theme is based on her personal memories, which she contrasts with official narratives and ideals. She uses everyday objects, photography, and her own body to reflect the structure of power in public space. Chang has practical professional experience in architectural design, urban planning, artistic creation, art theory, exhibition practice, and the interdisciplinary connection between architecture and art.
